Every Friday at sunset since July, Malorie Bryant hustles up and down a shaky fire-escape ladder to welcome guests to the Mad Love Comedy Show, relocated by the pandemic from a Manhattan club to a rooftop in Bushwick, Brooklyn.
On a recent Friday, Bryant — the show’s organizer and performer — paced the stage. “I’m on nap number nine today,” she said, “Some people call it depression; I call it fast-forwarding through COVID.” The audience guffawed, some whistling in agreement.
Against a dimming sky and the Manhattan skyline, with LED lights decorating the square roof, eight comedians performed for an audience of about 60, competing with the J train’s rumble, ambulance sirens and the whoosh of beer cans opening. The audience cheered whenever trains interrupted the 90-minute show.
Stand-up comedy hasn’t locked down. Some comics put on shows in backyards, parks and parking lots. Bryant chose a rooftop at a commercial space, the Tiny Cupboard. “Comedy is always better at night,” Bryant said.
Stand-up comedy has always been challenging, but it’s especially hard during a pandemic.
“I always knew I wanted to be a performer,” said Bryant, 33. She came from California to New York City for musical theater at 24, and has been a working comic for four and a half years.
Bryant craved the high of live shows, in Manhattan and around the city. She’d been doing 10 to 15 comedy shows every week; now she does five, working side jobs like teaching yoga to keep herself afloat.
“To go from ‘Ah! Comedy every day!’ to ‘Comedy nothing!’ was really challenging.”
At the moment, her stage is a blue carpet in front of a pink neon banner advertising the venue’s name, The Tiny Cupboard, with a mic stand. She sets up 30 socially distanced chairs — not enough, so people sit near vents and air conditioners.
Most rising comics do shows for free; lesser-known comics get $30 to $75 for a spot, while veterans can make $300 to $1,000 a night. Her rooftop show charges $7 to $10, allowing Bryant to pay her comics $30 to $50.
In the city, non-essential services like outdoor arts and entertainment are required to follow state health guidelines. Both the audience and the comics wore masks, although some removed them mid-show.
Chris Hamilton, 31, Mad Love’s host, has worked as a comic full time for seven years. His schedule has changed, from having the luxury of choosing shows which shows to do in a fully booked week to feeling he has to take some last-minute spots.
His material has changed, too. “Comedy is like a human zoo,” said Hamilton, who jokes about COVID to keep shows topical and observational.
Hamilton may call out the audience for not being productive during quarantine, recall his reactions to not seeing a friend for three months, or make quips about people’s reactions towards maskless passengers on trains. “Who’s been reading in the pandemic?” he asked before introducing the first comedian, “No one?”
Lana Siebel, 29, started doing daily gigs on Zoom in January after working as a stand-up comedian for six years. Now she’s doing three to four shows a week, a boost she calls “leveling the playing field,” so comedians can earn income through social media platforms.
Siebel describes her work as a service to those bugged by the pandemic.“Comedy is to get people distracted from their daily problems,” she said.
Bryant launched Mad Love by sending out hundreds of Eventbrite invitations.
It seems to be materializing. “It’s beautiful. It’s definitely a Brooklyn vibe,” said Jack Brown, 29, watching “Mad Love” for the third time since he found the show online.
Maria Soria, 31, also a comedian and a writer, came for a second time with her nephew. “It’s a little chilly, but if you get a blanket and get comfy, it’s cool,” Soria said.
“I think this one is gonna be my favorite place right now,” said her nephew, Luis Conforme, 21. The rooftop frees his mind and allows him to be himself, he said. “I think this is a perfect place for after office.”
Bryant said she planned the show to last through October, but is now seeking heaters and fire lamps to accommodate an audience into late fall and winter.
“It is about bringing a silly experience, to be able to laugh,” Bryant said, “I’m just as depressed as you.”
This story is the work of a student at the Columbia University Graduate School of Journalism. Other news organizations are welcome to publish this story as long as they adhere to these guidelines.